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As regular readers of Out in Print know, Saints & Sinners is a yearly LGBTQ literary festival that takes place in New Orleans, and their short story contest produces some of the finest LGBTQ fiction collected. This 2023 edition is no exception. As with all short story collections, however, some tales will pique your interest more than others, but these anthologies have a particularly high batting average as far as I’m concerned. The contest this year was judged by Lambda Literary Award winning mystery author Michael Nava, who I’m sure had some difficult choices to make.
The winner of this year’s competition is Ariadne Blayde’s “Minor Difficulties In BigEasyWorld,” an interesting look at love between two boys working in a futuristic New Orleans theme park, the real thing having been destroyed by unnamed forces some years back. The park has neighborhoods like Bourbon Street and Storyville that tourists roam through drinking Hurricanes, Hand Grenades, and Voodoo Daquiris (which are the same thing in different collectible glasses), experiencing characters like Ambient Alcoholic, Upstairs Ghost, Jazz Musician, and Enslaved Person, all overseen by the Historical Truth and Reconciliation Coordinator. As a current NOLA tour guide, Blayde’s barbs hit with deadly accuracy, and the disconnect with reality is alarmingly real, but the facades and fakery never obscure the love story between teenagers Wes and Neal. Well-balanced and solidly constructed, this story is a delight.
Also set in New Orleans, but in the present rather than the future, is William Christy Smith’s charming “By Hook or By Crook,” which features one of those NOLA “characters” who seem to populate every block, this one a delicate antique collector named Bug DeCote. DeCote’s health is failing, and the members of his writing group are tasked with cataloguing, unbeknownst to him, the items in house to sell after his imminent demise. Also set in the South is J. R. Greenwell’s “Water Between My Legs,” an atmospheric and immersive story of a gay teen coming to terms with himself in small town Appalachia, a milieu Greenwell writes most comfortably about.
But there are wonderful stories here also taking place above the Mason-Dixon line. Powell Burke’s “Man In Sunglasses With Newspaper” is a Fire Island oriented look at pre-Stonewall gay life in that enclave as seen through the lens of a photographer named Harry. Slightly surrealistic, this story floats with a languorous intricacy bound to capture your imagination. Philip Gambone blends two Boston couples together, striking sparks of betrayal and jealousy in “Big Boy,” while John Whittier Treat takes a New York City couple to Broadway to see the Boys in the Band revival in “The Boys Not In The Band,” but he doesn’t let them sit together, creating some interesting tension.
For my money, however, the story which most captivated my attention was Eric Peterson’s “Banjo.” Like his “Little Boy Blue” from last year, it tugs all the right heartstrings only this time with a dog named Banjo who helps grief-stricken Arturo move forward through the death of his partner, Ben. The turn near the end of the story keys in to so many emotions, I ended up ugly-crying at Gate B7 in the Dallas airport on my way home from Saints & Sinners.
I’ve submitted to this anthology more than once in the twenty years of the conference but have never yet made it to finalist. Career goals, right? But I’ll try again this year and hope to find myself in company this fine in 2024. Wish me luck.
JW
© 2023 Jerry L. Wheeler